The Wednesday Wars recap
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In short (whole book)
During the 1967–68 school year, seventh grader Holling Hoodhood is left alone with Mrs. Baker every Wednesday while his classmates attend religious instruction. He assumes she hates him, but their afternoons of chores and Shakespeare become a demanding mentorship. Holling performs in a humiliating costume, is rejected by Mickey Mantle, trains as a runner, grows closer to Meryl Lee, and learns to look beyond his architect father's obsession with business. The Vietnam War reaches school through refugee Mai Thi, the death of Mrs. Bigio's husband, and the disappearance of Mrs. Baker's husband. Holling also rescues his runaway sister when their father will not. Amid the assassinations and unrest of 1968, friends and teachers repeatedly show him forms of courage his father does not understand. Lieutenant Baker returns alive, and Holling ends the year rejecting his father's demand that he inherit the family firm, recognizing that he can choose for himself what kind of person to become.
Story so far - through chapter 2 (this book)
In September 1967, Holling Hoodhood begins seventh grade at Camillo Junior High on Long Island. On Wednesday afternoons, his Jewish classmates leave for Hebrew school and his Catholic classmates for catechism; as the lone Presbyterian, Holling stays in Mrs. Baker's classroom. He becomes convinced that she resents this arrangement and will ruin his future, a prospect made worse because his architect father wants good relations with the Baker family. Mrs. Baker first assigns chores and then begins reading Shakespeare with him. Holling finds that the plays' conflicts, insults, and questions about loyalty speak to his own life. School mishaps, including the escape of two large classroom rats, make Wednesdays more hazardous, while his classmates' hunger for cream puffs and Doug Swieteck's brother's bullying ensure that private embarrassments quickly become public ones.
Story so far - through chapter 4 (this book)
Holling's Shakespeare lessons lead to a role as Ariel in a holiday production. The part requires a costume he knows will invite ridicule, but Mrs. Baker expects him to honor his commitment. Photographs of the performance spread around school through Doug Swieteck's brother. Holling then rushes from the play to a promised appearance by Mickey Mantle, still wearing the costume. Mantle refuses to sign his baseball because of how he is dressed. Danny Hupfer, though an ardent fan, rejects Mantle's autograph in solidarity with Holling. Mrs. Baker later helps arrange a much kinder meeting with other Yankees. Her action makes it harder for Holling to maintain his belief that she hates him. At the same time, news from Vietnam grows more immediate: Mrs. Bigio loses her husband, Mai Thi is exposed to hostility because she is Vietnamese, and Mrs. Baker waits for reports from Lieutenant Baker.
Story so far - through chapter 6 (this book)
Mrs. Baker reveals her own athletic skill and coaches Holling as a distance runner, teaching him to hold something in reserve for the end. Holling's growing confidence does not simplify life at home, where his father continues to interpret people through the contracts they may influence. Holling and Meryl Lee spend Valentine's Day together, but he casually shares a drawing connected to his father's proposed school design. A strikingly similar plan then appears in the presentation by Meryl Lee's father, and Holling concludes that she used him. Meryl Lee had not understood the drawing's importance and is devastated by the accusation. When Mr. Kowalski later recognizes what his competition with Mr. Hoodhood has cost, he withdraws the copied design. Holling and Meryl Lee reconcile, while Holling sees that professional success and personal decency are not the same thing.
Story so far - through chapter 8 (this book)
Holling competes as a runner and draws on Mrs. Baker's coaching when the race becomes painful. His success matters less than the discipline and attention she has taught him. Beyond school, the war and the political violence of 1968 keep intruding. Mrs. Baker learns that her husband's aircraft has gone down and that he is missing, yet she continues teaching while living with uncertainty. Mrs. Bigio's grief has made Mai Thi a target for anger that the girl did not cause. When Mai Thi faces open prejudice, Mrs. Bigio begins moving from blame toward protection and care. The assassination of Martin Luther King Jr. shocks the students and adults, adding another public loss to the private ones around them. Shakespeare's tragedies no longer seem safely remote from Holling's world.
Story so far - through chapter 10 (this book)
Heather rebels against their father's plans and leaves home with a boyfriend, intending to reach California. When she is stranded far away, Mr. Hoodhood refuses to interrupt his work or spend money to bring her back. Holling uses his own savings and travels to meet her, proving a more dependable brother than either sibling expected. Their return does not change their father's certainty that he can dictate both children's futures. The assassination of Robert Kennedy adds to a year already marked by war and political murder. Danny's bar mitzvah and the end of school show Holling and his friends passing into new responsibilities in different ways. At last, Lieutenant Baker is found alive and returns from Vietnam, and Mrs. Baker races to welcome him home. When Mr. Hoodhood tells Holling that maturity means inheriting Hoodhood and Associates, Holling refuses the definition. He understands that becoming an adult means choosing his own identity rather than accepting the role prepared for him.
How does it end? (ending)
The school year closes after the assassinations of Martin Luther King Jr. and Robert Kennedy have deepened the students' awareness of national turmoil. Heather returns safely after Holling retrieves her from a distant bus station when their father refuses to help. Danny celebrates his bar mitzvah, marking the different kinds of growing up taking place around Holling. Lieutenant Baker, long missing in Vietnam, is found alive and comes home; Mrs. Baker runs to meet him in a reunion Holling witnesses. At home, Mr. Hoodhood still insists that becoming a man means taking over his architecture firm. Holling rejects that fixed definition and claims the right to decide who he will become. Shakespeare, Mrs. Baker's guidance, his friends' loyalty, and his sister's example have given him language for a self not determined by his father's business plans.
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